A self-made farmer and rice mill owner causes a rebellion by his two sons when he installs his young mistress as the new woman of the house immediately after his wife's death.
Carnage, death, and despair await the ignoble remnants of a persecuted family who assemble for the wedding of their daughter on the eve of an evil 100-year-old curse.
Desktop traffic made up for 28% of overall traffic and then tablets, the least used device, made up 11% of traffic. It's certainly easier to watch porn on your phone than some foreign language thriller whose lighting pallet can only be described as shadow Per mezzo di a dark alley drenched Sopra motor oil
Mariska has invited some friends for the weekend. They haven’t seen each other for a long time and this reunion will take a rather unexpected turn.
Perfect wife find time to clean the house and to passionately ride her huge ass on her husbands honk
A woman is hired as a handmaiden to a Japanese heiress, but secretly she is involved Durante a plot to defraud her.
review: “A searingly intimate character study marked by the most explosively graphic lesbian sex scenes Con recent memory… it would be reductive to slap an exclusive omosessuale-interest label on “Blue Is the Warmest Color,” a bildungsroman and first-love story whose deep and abiding fascination with life’s great shared pleasures — food, sex, art, literature, music, conversation — encourages the viewer to consider the commonality as well as the vast complexity of human experience.”
Forsaken Per mezzo di a new Oslo apartment, a frail blind woman battles to modo to terms with her condition, as she slowly retracts into an elaborate fantasy bubble. Are her stories fanning her suspicions, or is this what total blindness looks like?
Teenager Imogen Day and her parents Samantha and Will move to Montana to escape the past. Desperate to make a new life for herself, Imogen must overcome new tormentors, old secrets, and a strange presence Per the house.
review: “An act of cinephilic homage more info that transcends pastiche to become its own uniquely sensuous cinematic object, Strickland’s densely layered, slyly funny portrayal of the sadomasochistic affair between two lesbian entomologists tips its hats to such masters of costumed erotica as Jess Schietto, Tinto Brass and Jean Rollin, without ever cheapening its strange but affecting love story.”
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A selfish, manipulative schoolteacher takes advantage of a schoolgirl's vulnerability to gratify his dark, narcissistic desires.